Thomas Behling

"Universum Clock – Die Stimmen der Verstorbenen" – "Universum Clock – The voices of the decedents"

Thomas Behling: "Universum Clock – Die Stimmen der Verstorbenen" – "Universum Clock – The voices of the decedents", 2021, 47 x 31 x 21 cm

"Anthroposzenische Landschaften 3"

Following its successes in Bremen and Frankfurt am Main, the exhibition “Anthroposcene Landscapes” is moving on to Berlin and can be seen at Atelierhof Kreuzberg from Saturday, October 12.

Opening on Saturday 12.10.2024 at 7 pm
Performance “TAKEOVER BP, Now!” by and with Ruppe Koselleck from 7:30 pm.

Participating artists:
Gleb Bas, Norbert Bauer, Thomas Behling, Roland Boden, Gunnar Borbe, Margit Busch, Andreas Helfer, Manfred Kirschner, Andreas Koch, Ruppe Koselleck, Patricia Lambertus, Anna Lerchbaumer, Julia Münstermann, Jürgen O. Olbrich, Nicole Schuck, Anna Staffel, Annette Stemmann, Frans van Tartwijk, Ralf Tekaat, Florian Tuercke, Michael Wendt, Sabine Wewer

Performance "TAKEOVER BP, Now!" by and with Ruppe Koselleck:
During the opening, Ruppe Koselleck will open a temporary office at Atelierhof Kreuzberg from 8pm onwards for the HOSTILE TAKEOVER OF BP and make real paintings and frottages from raw oil on site. Using tar and oily dirt found on the coasts of the oceans, the crude oil painter will create paintings. The sale of these works finances the purchase of shares in a globally operating oil company. For aesthetic reasons, Koselleck applies the polluter pays principle against the oil company, which he attacks with his self-inflicted waste. Share by share, the artist incorporates the company in order to smash it into a thousand pieces one day. You buy art and Ruppe Koselleck buys BP.

"Anthroposzenische Landschaften"
Classical romantic landscapes are often untouched landscapes. In the paintings of the American Hudson River School of Painters or in many of Caspar David Friedrich's paintings, nature is the main motif and man is not present, or only marginally. Man is only a tiny part of the universe - and of the painting - and nature is an immeasurable force to which man must submit. For an American artist in the 19th century, the amount of untouched and unexplored nature was indeed immeasurable, and even 19th-century European artists could wander through beautiful and mostly empty forests and mountainous regions. The romantic dream of nature is still very much alive. When we read a magazine like National Geographic, most of us are still fascinated by the perfectly rendered photos of natural landscapes in distant parts of the world, but those who actually want to visit these areas have to spend many hours on a plane, only to realize upon arrival that they are not the only ones. However, the landscapes we mostly travel to and live in are cities and rural areas that are almost entirely shaped by human activity. In the so-called Anthropocene, nature is no longer omnipotent and humans have become the main actor and disruptive force on the planet.

Duration: October 12 - 25, 2024

Finissage on Friday, October 25th from 6 pm.

ATELIERHOF KREUZBERG
SCHLEIERMACHERSTRAßE 31 (In the courtyard at the back left: large gate straight ahead)
10961 BERLIN
GERMANY


Opening hours:
Tuesday to Friday, 16:00-18:00
Free admission